Heavy Petting

Heavy Petting

In the jungle, the mighty jungle The lion sleeps tonight…in your bed. Look out!

Art by Jack Kamen from Rulah, Jungle Goddess #1, Dec. 1948.

 

 

 

Transcript:

SCENE: Rulah, knife out and ready to strike, jumps to intercept a lion which is about to attack another woman.

RULAH: I warned you! Lions aren’t pets!

OTHER WOMAN: I know! I know! Cleaning their cat box is…insane!

1948 Art: Jack Kamen New Dialogue John Lustig
Restoration & New Dialogue: John Lustig

Rulah21

↓ Transcript
SCENE: Rulah, knife out and ready to strike, jumps to intercept a lion which is about to attack another woman.

RULAH: I warned you! Lions aren’t pets!

OTHER WOMAN: I know! I know! Cleaning their cat box is...insane!

1948 Art: Jack Kamen New Dialogue John Lustig
Restoration & New Dialogue: John Lustig

Rulah21


Am I Turned On?

Am I Turned On?

Artist unknown, but may be Matt Baker. From the story “Second Best Beau” in Hi-School Romance #75, Nov. 1958.

 

 

Transcript:

WOMAN (thinking): Is that a man? or A woman? Am I turned on? Or…no! I’m definitely turned on!

1958 Art: Artist unknown, but might be Matt Baker
Color: Diego Jourdan Pereira

DJP.lk465

↓ Transcript
WOMAN (thinking): Is that a man? or A woman? Am I turned on? Or…no! I’m definitely turned on!

1958 Art: Artist unknown, but might be Matt Baker
Color: Diego Jourdan Pereira

DJP.lk465

50 Shades for Dummies

50 Shades for Dummies

Hot, brilliant humor for cool, smart readers (and room-temperature dummies) courtesy of Tony Isabella.

Art by the Vince Colletta Studio from the story “Teach Me, My Love” in FIRST KISS #29, 1962.

 

Transcript:

SCENE: Woman talking to her personal mannequin (Molly Mannequin.) In panels on each side of the main panel we see store mannequins.

WOMAN: Oh, my dear Molly Mannequin. Sheltering at home with you has been wonderful. Tonight, let’s read another chapter of Fifty Shades of Off-Color. I hope *giggle* you don’t blush easily.

Molly Mannequin (thinking): Where’s a woodchipper when you need one? I miss my friends at Macy’s.

1962 Art: Vince Colletta Studio Color: Diego Jourdan Pereira
Guest Writer & Dummy Dialogue Coach: Tony Isabella

DJP.lk363

↓ Transcript
SCENE: Woman talking to her personal mannequin (Molly Mannequin.) In panels on each side of the main panel we see store mannequins.

WOMAN: Oh, my dear Molly Mannequin. Sheltering at home with you has been wonderful. Tonight, let’s read another chapter of Fifty Shades of Off-Color. I hope *giggle* you don’t blush easily.

Molly Mannequin (thinking): Where’s a woodchipper when you need one? I miss my friends at Macy’s.

1962 Art: Vince Colletta Studio Color: Diego Jourdan Pereira
Guest Writer & Dummy Dialogue Coach: Tony Isabella

DJP.lk363

Hey, Give Me Credit

Hey, Give Me Credit

Art by Dick Giordano from the story “Last Paradise” from Intimate #3, 1958.

 

 

Transcript:

SCENE: Woman pushes away in alarm from a man.

MAN: Of course I didn’t max out all the credit cards! I saved one for our old age!

DJP.lk1

↓ Transcript
SCENE: Woman pushes away in alarm from a man.

MAN: Of course I didn’t max out all the credit cards! I saved one for our old age!

DJP.lk1

Stuck in Toad Mode

Stuck in Toad Mode

Art by John Tartaglione from the story “Elopement” in FIRST KISS #4, 1958.

 

Transcript:

Scene: A man and a sad-looking woman are embracing. The man has green hair. In the background is a pond or small lake.

WOMAN (thinking): I’ve kissed a lot of frogs! But <sigh> still no prince!

MAN: Ribit

1958 Art: John Tartaglione Color: Diego Jourdan Pereira
Background: Adapted from Unsplash photo by Mattia Bericchia

DJP.lk13

↓ Transcript
Scene: A man and a sad-looking woman are embracing. The man has green hair. In the background is a pond or small lake.

WOMAN (thinking): I’ve kissed a lot of frogs! But <sigh> still no prince!

MAN: Ribit

1958 Art: John Tartaglione Color: Diego Jourdan Pereira
Background: Adapted from Unsplash photo by Mattia Bericchia

DJP.lk13



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