Art by the Iger Studio from the story “Censored” in ALL TRUE ROMANCE #2, 1951.
Transcript:
SCENE: Blonde woman embraces a man while she holds a book.
WOMAN: Darling, of course, the hero in my book is based on you!
WOMAN (thinking): But, so is the villain!
1951 Art by the Iger Studio Re-Creation: Diego Jourdan Pereira
DJP.lk274
↓ Transcript
SCENE: Blonde woman embraces a man while she holds a book.
WOMAN: Darling, of course, the hero in my book is based on you!
WOMAN (thinking): But, so is the villain!
1951 Art by the Iger Studio Re-Creation: Diego Jourdan Pereira
DJP.lk274
WOMAN: Darling, of course, the hero in my book is based on you!
WOMAN (thinking): But, so is the villain!
1951 Art by the Iger Studio Re-Creation: Diego Jourdan Pereira
DJP.lk274
-“What’s that Mr. Dahmer? You’ll give me your census information if I let you nibble on my cheek? How can a girl say no to that offer?”
-Some guys have fantasies about French maids. For some it’s school teachers. For Darrin, it was census takers. For Cheryl, it was $150 and the easiest costume change ever.
-“So how many residents are there in your pants? Let’s count them and see…”
-“Did you find your contact lens yet? What? You think it might have rolled down into my bra?”
-“What’s that? I can’t hear you with all those people whispering in the background.”
On an unrelated note, this one seems like a pretty risqué cover page for a young girls romance comic back in that time period.
Yup. A big risqué. But pre-code romance comics were more on the edge than a lot of people realize—although on the first page (and especially on the covers) they often hinted at being more risqué than the actual story warranted.
As always, fine jams, thanks for the great comments!
Thanks for the great comic John. I appreciate the opportunity to get my snarkiness quota out of the way three days a week.